Borges

Archived Posts from this Category


“Borges and I” & the philosophy of self and language

John Perry, a professor in the philosophy department at Stanford, recently gave a lecture at Amherst College titled “ ‘Borges and I’ and ‘I’ ”. (via Perlocutionary).

Since the lecture is by a philosopher and it’s about Borges, you can be certain that it talks about the philosophy of language and “self”. If you’re not into epistemological discussions then you might think that it will be rather tedious listening, but it’s aimed towards an undergraduate audience and Perry wades into the topic rather slowly. Much of the talk is on the simple ways that we use language everyday, such as how we introduce ourselves at a party or how we ask for salt at the dinner table, the usage that we give to proper names and pronouns.

If you’ve not read “Borges and I” then it’s worth a reading or even a re-reading. It’s a short piece, less than 1 page. While “Borges and I” is usually included in The Collected Fictions, it’s really more of an essay, a contemplation about the public persona of Borges the writer.

The Borges work and Perry’s lecture made me think of the nature of celebrity and the impressions, beliefs we form about people in the news. But even on a more ordinary level, what we think we know about others, the people we know, even our friends, our family, our lovers. We probably know less about their motivations than we think we know, yet we often, usually, perhaps always, make assumptions about their behavior based on what we think we know about them.

In his lecture, John Perry said,

I think selves are basically just people, seen as playing the role of being the same person as the subject of some verb, the agent of some activity, the thinker of some thought, the possessor of some emotion, and so forth. My neighbor is just a person, thought of as playing the role of one who lives next to, relative to me. My father is just the person who plays the role of being the male parent of, relative to me. “Neighbor” and “father” are role-words, and so is “self.” On this conception of selves, there is only one self per person, the person himself or herself.

Still, we often use phrases like “the true self” or “the authentic self.”

Perry goes on to describe how “cognitive structures, though no longer my true beliefs, or even really beliefs at all, live a shadowy half-life in the darker regions” of our psyches.

The last line of “Borges and I” famously ends with the sentence, “I do not know which of us has written this page.”

It hadn’t occurred to me before but by the time that Borges composed that line he had already gone blind. So, in the physical sense of writing, he actually did not write that line. It was written by someone else, the person listening to him.

Jorge Luis Borges: The Mirror Man

The Mirror Man is an excellent documentary about Jorge Luis Borges. I recently learned (via flameape) that the documentary is available online at UBUWEB, a site that describes itself as the YouTube of the Avant-Garde.

Note that the documentary is 47 minutes but the video on UBUWEB seems to stop abruptly about 35 minutes into the film, sigh. So, if you want to see the whole thing you may need to find a copy via BitTorrent. Regardless, even if you see only the partial video on UBUWEB then you will come away with a rich experience.

Mirrors & themes

The script of the documentary was written by Alberto Manguel, a person who knows a lot about Borges. Manguel writes that the central theme of Borges works was the “curious paradox of being human in a mysterious and incomprehensible world.”

Even if you’re not so interested in Borges the documentary features archival video footage of Buenos Aires during the early 20th century. Also, there are interviews with Borges’ mother Leonor Acevedo, Maria Kodama, Adolfo Bioy Casares, Edgardo Cozarinski, as well as Borges himself.

The title The Mirror Man comes from Borges’ childhood fascination with mirrors and mirror-like surfaces. “More than anything the boy feared another self reflected in the polished furniture and dark mirrors of the house.”

The documentary gives a very good overview of the life of Borges and the influence of living in Europe during his youth. Living abroad enabled him to discover Argentina. Borges said, “Absence made it possible for me to see things i would not have seen if i had stayed at home.”

Upon the return of Borges in the 1920s Manguel writes that Borges “wandered through Buenos Aires with the passion of explorer.

A Borges Inspired Codex

While browsing around the Web today I came across this posting about the Codex Seraphianus, a possibly Borges inspired encyclopedia of a foreign world described in an unknown language by an Italian architect of the name Luigi Serafini while living in a small apartment in Rome.


Codex Seraphianus

Is the codex the product of a consuming passion or does it hold some other secret? Well, while so many are talking about Oprah and studying The Secret, I for one, think that the real secret may rest within these pages, a world which can be explored through Flickr.

In addition to Borges there is another connection to this city and the codex: Buenos Aires native Alberto Manguel who was present at the discovery of the codex.

« Previous PageNext Page »